Thirupathi


Thirupathi (Tamil: திருப்பதி) is a 2006 Tamil film directed by Perarasu and produced by AVM Productions The movie is 167th venture from the famed production house, which completed its diamond jubilee year. The movie stars Ajith and Sadha in the lead roles. In this film the Ajith plays the role of a sound service man. This is Ajith's first film in the prestigious banner, produced by M Saravanan and M S Guhan. In this film the Ultimate Star plays the role of a firebreather.

Plot

Ajith’s sister is pregnant and at the time of delivery, he takes her to a hospital. The doc there expects bribe but when it is not forthcoming, neglects his duty because of which Ajith’s sister dies. Ajith comes to know that the doc is none other than Riyaz Khan’s brother. When he goes out to get him, Riyaz Khan and his father do all that they can to protect this guy from Ajith. That is where the action part of the movie takes off.


Directed by Perarasu
Produced by AVM Productions
M. Saravanan
M.S. Guhan
Written by Rumi Jaffery
Starring Ajith Kumar
Sadha
Laila Mehdin
Riyaz Khan
Livingston
M. S. Baskar
Harish Raghavendra
Music by Bharadwaj
Cinematography Saravanan
Editing by Anthony
Release date(s) April 14, 2006
Running time 158 minutes
Language Tamil

Aalwar

Aalwar (2007) (Tamil: ஆழ்வார்) is a Tamil film directed by Chella. The film stars Ajith Kumar and Asin Thottumkal in the lead roles. The film's score and soundtrack is by Srikanth Deva and was released on 15 December 2006. the movie was a huge failure.

Plot

The story is the metamorphosis of a simple, straight as rod, Aalwar into an avenging machine named Shiva. Why does Aalwar end up as Shiva? Well, Aalwar is a traditional priest. He is devoted to his mother and sister. But the villainous elements Lal, Vincent Asokan, kill the sister and mother. Aalwar, with revenge ringing in his mind, ends up as Shiva the killer, even while working as a ward boy in a hospital. Shiva is out to make a statement against the venal forces. He sees himself as some kind of avatar — in fact, he bumps off the baddies under the get-up's of Lord Rama and Lord Krishna. In climax, Shiva turns up as Lord Narasimha and bumps off the last villain by placing him on his thighs and ripping apart his bowels and chest with his sharp claws. Woven into this simple masala story is the love angle with Asin. Then there is also the comedy of Vivek, nicely done by him after a break.



Kireedam


Kireedam (2007) (Tamil: கிரீடம்) (English: Crown) is a Tamil film directed by A. L. Vijay. The film starred Ajith Kumar, Trisha Krishnan and Rajkiran in pivotal roles with Vivek, Saranya, Cochin Haneefa and Santhanam in other roles. The film's score and soundtrack are composed by G. V. Prakash Kumar. Kireedom started its first schedule of filming on 15 December and was set to release for 1 May 2007 coinciding Ajith’s birthday however it was eventually delayed to 20 July 2007.

It is a remake of Sibi Malayil's 1989 Malayalam blockbuster Kireedam. It was also remade in Hindi by Priyadarshan as Gardish, which in turn became a blockbuster of 1993.


Plot

Sakthivel (Ajith Kumar) is an implicitly obedient son of a sincere policeman, Rajarajan (Raj Kiran). Sakthi and his dad’s dream is the same: That of seeing him enter the police force. The entire family comprising two other daughters, the mom (Saranya) and a wastrel of a brother-in-law (Vivek) are cuddly and close-knit. Rajarajan is from the old school of life and honesty is his watchword. In a venal system, this lands him in trouble often.

Divya (Trisha Krishnan), a college girl, is a charming full-of-beans girl. She has some comical run-ins with Sakthi, and eventually falls in love with him. Elsewhere, Rajarajan, who books an MLA’s son for an offence, is hauled up over the coals and sent on a ‘punishment transfer’ to a place, which is run as personal fief by a local dada, Varadarajan (Ajay). One thing leads to another, and Sakthi is unwittingly sucked into the unholy vortex. Just as he is about to join the police force, destiny decrees otherwise: His life is not going to be the same again. A dad’s dream lies shattered while a son, despite his unwillingness, has to fight an honest war beyond the matrix of a law. It is a situation that is actually an emotional cauldron. How the dad and son reconcile to the new reality is the story.


Reviews

The Hindu, in a review about the story, said that "Vijay has neatly packaged a strong storyline with a sensibly balanced mix of sentiment and action. At no point does the film sag." It appreciated the lead and supporting cast "Looking well-toned and incredibly youthful, Ajith makes a mark both with his appearance and expressions. And matching him equally in the two departments is an awesome Trisha."

The review from an entertainment portal, Sify.com, hailed the attempt as "For once a Tamil remake of a Malayalam classic, lives up to our expectations. Kireedam is quality cinema, one that is daringly different from the run-of-the mill superstar films that are dished out in the name of mass movies" and gave the verdict as "Good" summing up as "On the whole, Kireedam is an engaging entertainer which is so rare to find these days. Go for it!"

A review from another movie portal, Behindwoods,com, gave it a thumping 3.5 out of 5 stars with the verdict "Complete family entertainer". It called the movie as a "good realistic attempt towards meaningful cinema. But if the sluggish pace in the second half is taken care of, the movie would have been much crisper" and said that "Kreedom will categorically be Ajith's prized trophy in his filmi career"


Directed by A. L. Vijay
Produced by Suresh Balaje
Written by Lohithadas,
Na. Muthukumar
Prasanna Kumar
Starring Ajith Kumar
Raj Kiran
Trisha Krishnan
Vivek
Cochin Haneefa
Santhanam
M. S. Baskar
Ajay Kumar
Saranya
Ravi Kale
Music by G. V. Prakash Kumar
Cinematography Tirru
Nirav Shah
Distributed by Adlabs Limited
Release date(s) 20 July 2007
Country India
Language Tamil


Aasal


Aasal (Tamil: அசல், English: Original) is a 2010 action-thriller Tamil film directed by Saran. The film stars Ajith Kumar in the lead role, who is also credited for the story, dialogues, screenplay and co-direction of the film, while Sameera Reddy and Bhavana play the lead female roles. The film features an extensive cast, with Prabhu, Suresh, Sampath Raj and Rajiv Krishna playing prominent roles, among others. The film, produced by Prabhu Ganesan of Sivaji Productions, features music primarily composed by Bharathwaj, cinematography by Prashanth D. Misale and editing by Anthony Gonsalves.

The film revolves around the feud between three brothers over property; two brothers, from their father's first wife on one side with their avarice for all the wealth with the righteous third, from his father's second marriage, trying to stop the family from breaking down. The feud that exists as an undercurrent in the presence of their father and turns ugly and personal after he passes away. It grows bigger with the two brothers joining in to elbow out the third but he graciously steps aside, only wanting to keep cordial relations. But, the two brothers are just not able to handle the huge wealth and the responsibility that it brings. Their wealth attracts trouble and it is up to the third to come back and save his brothers, against others who strive for the wealth with the crux of the plot revolves around if wealth does disintegrate the family.

Pre-production for the project began in December 2007 when Sivaji Productions signed up Ajith for a film; however, because of a bevy of changes in the technical crew, shooting only began in April 2009. The filming took place in various locations: notably locally in Chennai, and abroad in Paris, Dubai and Kuala Lumpur. The film had an extraordinary opening worldwide on 550 screens (including 350 screens in India)[1] following its release on February 5, 2010.


Plot

Jeevanandham (Ajith) is an international negotiator and arms dealer based in Paris. He has three sons: Sam (Sampat) and Vicky (Rajiv) from his first wife, and Shiva (Ajith) from his second wife. Jeevanandham’s favourite is Shiva, who is gutsy and righteous, while the other two are immature and controlled by their uncle, the evil Kali Mamma (Pradeep Rawat), and will do any shady deals.

Sarah (Sameera Reddy) is a cultural attaché at the Indian Embassy in Paris who has a soft spot for Shiva. There is a French police officer, Daniel (Suresh), who constantly hangs around with the family and is a partner in crime.

The bad sons want to deal in drugs and supply arms to terrorists; they work out a strategy to eliminate Shetty (Keli Dorji), who controls the Mumbai underworld, but the old man and Shiva oppose it. After the old man's death, Vicky is kidnapped by Shetty and his gang, who brutally torture him.

To save Vicky, Shiva goes to Mumbai. His local contact there is Mirasi (Prabhu), his father’s best friend. A local girl, Sulaba (Bhavana), falls for our hero, who daringly rescues Vicky with the joker Don Samosa (Yuhi Sethu). But the brothers double-cross Shiva and dump him in a river. How the protagonist takes vengeance against those who betrayed him forms the rest of the story.

Production

Development

Following the success of Billa in December 2007, Ajith Kumar was signed on by his co-star Prabhu's Sivaji Productions for a project touted to be directed by K. S. Ravikumar.[3] Three months later, the producers officially signed on Gautham Menon as the director; Sameera Reddy, the female lead for Menon's last film, was also finalized for the project.[4] The film, which was due to start its first schedule during June 2008, had been built up as the final instalment in Gautham Menon's police trilogy, following his two earlier ventures, Kaaka Kaaka and Vettaiyaadu Vilaiyaadu, of which Ajith Kumar was originally meant to be a part.[5] However, other indications suggested that the film was set to be the remake of the classic, Pudhiya Paravai starring Sivaji Ganesan, which Ganesan’s son, Prabhu, denied. The film had been earlier titled by the media as Kanavugal Karpanaigal or Vaanam Kadandha Siragugal, but the team then finalized the title of Surangani, which was later abbreviated to Sura.[5] However, the film's production failed to take off, with repeated dates being announced by the directors for the film's first schedule throughout 2009. Subsequently, Menon was removed from the project by the producers due to the film's inactivity, with directors Dharani, Vishnuvardhan and Saran leading the race to take over.[6]

In January 2009, the film was reannounced by Prabhu and the story was subsequently changed with Saran being signed up as the film's director. Ajith Kumar also underwent an appearance change during the early months of 2009 to prepare for his role. The film was eventually launched on April 8, 2009[7] at Sivaji's family residence Annai Illam in Chennai, with Rajinikanth launching the film.[8] The film completed its production schedule by January 2010, and post-production and release works began soon after. The movie also has audio tracks from James Bond movies.

Casting

Following the announcement that Sivaji Productions, Ajith Kumar and Gautham Menon would come together, other technicians were added to the film. Menon’s usual collaborator, Harris Jayaraj, was signed on as the music composer. However, after Menon's departure, Jayaraj also left the project due to his busy schedule with other films.[9] After approaching Yuvan Shankar Raja for the job, Saran finally confirmed Bharathwaj as music director.[10] Asal was Bharathwaj's fiftieth film as composer; he had previously teamed up with Saran and Ajith on Kadhal Mannan, Amarkalam and Attagasam. Ajith was under contract to be paid a remuneration of $1.25 million in cash plus a 30 per cent share of the profit from sales of rights of the film.[11]

During the launch in April 2009, other film technicians were revealed. Y-Kinz, an international music group, were announced to be a part of the music album for the film headed with Bharathwaj. Ajith himself had recommended Prashanth D. Misale, an assistant to Nirav Shah, to make his debut as a cinematographer.[7] Anthony was selected as editor; Prabakar was chosen to work as the art director and Vairamuthu as the chief lyricist. Vivek Karunakaran, a Chennai-based fashion designer, was selected to make his debut as the film's costume designer.[7] Soon after the launch, co-producer Prabhu Ganesan cast himself to play an important role in the film. Gautham Menon's original choice, Sameera Reddy, was retained to star opposite Ajith Kumar in the film. Sameera appears alongside Ajith Kumar for the first time, despite previously being scheduled to appear opposite him in Citizen, which eventually went ahead without her. Mamta Mohandas was initially confirmed as the second heroine in Asal, but decided not to take the role.[12] Sneha and Bhavana were also approached for the second heroine's role, however Sneha was unable to comply due to call sheet problems, so Bhavana was finalized.[13] A pleathora of antagonistic roles were handed out for the film, with the initial selction being Rajiv Krishna.[14] Other cast members are Pradeep Rawat, Keli Dorji, Karen Miao Sapru, Adithya, Suresh,[15] Sampath Raj,[16] Surendra Pal[17] and Yugi Sethu.

Filming

Principal photography of the film began in June 2009 at an undisclosed location in Malaysia.[18] The first schedule was completed on 2 August 2009. After a hectic schedule from Malaysia, the shooting for the second schedule continued on 18 September 2009 at Paris and Lyon, France.[19] 30% of the scenes, including fight sequences and two song sequences, were canned there, including a duet song of Ajith and Sameera as pictured against the moonlit Eiffel Tower in Paris.[20] After a 45-day shoot, the team returned to Chennai on 23 October 2009. Additional shooting was held in Harrington Road on 2 November. Asal's team later shot some of the important shots in AVM Studios. The film’s dubbing schedule took off on 19 November at Four Frames Preview Theatre Chennai with a simple pooja ceremony. Ajith, Saran, Arjun (Prabhu’s son), Dushyanth (Ramkumar’s son) and other members of the film were present there.[24] On 24 November 2009, an important scene for the film was shot at Sivaji Ganesan’s house in T. Nagar, Chennai. A song sequence featuring Ajith and Bhavana was shot at the AVM Studios on 25 November 2009. The shooting of the final song was held at Binny Mills (Tambaram). The cast and crew of Asal went to a Middle East country for the remaining song shoot. The Asal unit left Chennai on 26 December and returned after a week. Shooting was finished on 31 December 2009 at Dubai, where a song sequence was filmed at Zabeel Park.

Rettai Jadai Vayasu

Rettai Jadai Vayasu (1997) (Tamil: ரெட்டை ஜடை வயசு) is a Tamil film starring Ajith and Manthra in the main roles. Manivannan, Goundamani and Senthil among others play other roles. It was released in December 1997. Ajith Kumar played a key role.

Rettai Jadai Vayasu
Directed by C. Sivakumar
Produced by N. Pazhaniswamy
Starring Ajith Kumar
Manthra
Ponvannan
Goundamani
Senthil
Manivannan
Music by Deva
Cinematography A. Karthik Raja
Editing by K. Mohan
Release date(s) 12 December 1997
Country India
Language Tamil

Kaadhal Kottai


Kadhal Kottai (Tamil: காதல் கோட்டை) is a Tamil film in which Ajith Kumar and Devayani play major roles. Heera Rajgopal, Thalaivasal Vijay, and Karan play important roles. The film won the National Film Award for Best Directing and Best hero for Ajithkumar for 1996. It was directed by Agathiyan. Agathiyan himself remade this movie in Hindi titled Sirf Tum.The film is inspired from the 1940 Hollywood movie The shop around the corner.

Plot

The plot revolves around two introvert hearts falling in unconditional love without seeing each other until the climax. This was the second film by Agathiyan-Ajith combo following Vaanmathi.


Box Office

  • The film grossing almost $3 million at the box office.
  • The film spawned several clones with the prefix Kadhal... in the title.

Anjaneya (ஆஞ்சநேயா)


Anjaneya (Tamil: ஆஞ்சநேயா) is a 2003 Tamil film directed by Maharajan. The film stars Ajith, Meera Jasmine, Raghuvaran, Ramesh Khanna, and Sarala. The film's score and soundtrack are composed by Mani Sharma.

Plot

DCP Paramaguru (Ajith) an efficient police officer who fights with the scum of the society. He later masquerades as a thief to infiltrate into the underworld. The bad guys are surprised to find that Paramguru is the DCP, out to get them. So they all gang up against him. In this process a thrilling encounter takes place between the good and the evil. Paramaguru is helped in his fight against injustice by Divya (Meera Jasmine) who falls in love with him.


Box office

  • Initially scheduled for release in late 2002, this film was deferred multiple times until its release in early 2003.
  • The film did not do too well at the box office.
  • The film's Telugu rights were sold to Dr.Rajasekar for $200,000 reported Galatta.com.

Citizen


Citizen (2001) (Tamil: சிட்டிசன்) is a Tamil film starring Ajith Kumar, Meena, Vasundhara Das and Nagma. The film's score and soundtrack are composed by Deva. The film was one of the front runners in 2001. It is produced by NIC Arts Chakravarthi. Sameera Reddy was originally a part of the cast.It was dubbed into Telugu with same title.

Plot

A district collector, a judge, and a police official are all kidnapped in broad daylight. The kidnapper cocking-a-snook at the establishment, calling himself 'Citizen' and appearing in different disguises to get at his targets. C.B.I. officer Sarojini (Nagma) finally traces the common factor among the kidnapped trio to Athippatti, a small hamlet consisting of fishermen. But to her surprise both the village and its 690 odd inhabitants seemed to have been wiped away from the face of the earth. The diggings tell a story of a mass massacre that must have taken place about a couple of decades back. 'Citizen' is finally apprehended. He comes out with his story of the gory happenings at Athippatti and how he, as a little boy, had been the sole survivor of the nightmare that gripped the village that day from the map of India, twenty years back.

Box office

  • The film grossed $13 million at the box office.
  • Despite heavy budget and delay of the film,it is considered blockbuster at the box office.


aayirathil oruvan



The long wait is over - literally for all. Be it Selvaraghavan, Karthi, Reema Sen or the audience who were yearning for an ‘adventure’ film. Selvaraghavan, who is known for his adapt handling of mind-blowing sensitive issues (read human emotions), should be a relieved man now.

Two and half years of his hard work is out for the audience to watch and relish. But is the wait really worth? To this question, the answer is both 'yes' and 'no', for the film is a mixture of surprises and dissapointments.

A look at the film, it is evident why it has taken toll on the time. An engrossing, enthralling and entertainment was what Selvaraghavan would have planned. But he is only partially successful in his attempt, as the second half takes all the sheen away the first half provided.

In other words, the filmmaker seems to have been firm on what he wanted to do, but it did not come out with that exactly on screen. At the same time, films on such genre are a rarity in Tamil cinema. One can't spot a single movie in this genre in Kollywood before. Selvaraghavan who strives for perfection in every frame of his, seems to have taken the lead to fill the void with 'Aayirathil Oruvan'.

His shrewdness of blending the lives of common man with such complicated themes is amazing in 'Aayirathil Oruvan' too. There is no love or family or other such elements in this film.

But what is striking is that a down-to-earth coolie ( Karthi) setting out as a help to archaeologists who sets out on a mission. Quite typical to his earlier films, it is the heroine around whom the major part of the story is set and revolves.

Check out what the story of Ayirathil Oruvan is all about.

Archaelogist Lavanya (Andrea Jeremiah), Anitha (Reema Sen) and a troupe of government forces go on a voyage to an island in Vietnam to find 'some truth'. Helping them is a team of coolies led by Sukumaran (Karthi). As they cross oceans and enter forests, moments loaded with thrill, suspense and tension welcome them. At one point of time, the lead trio (Karthi, Andrea and Reema) is left alone from their team. They find an ethnic Tamil group living in the island, ruled by a king (Parthiban).

Stuck by drought and poverty, people in the place believe in black magic and practice it. As the trio is about to be killed, Reema reveals a truth. What follows is a lengthy second half, which ends abruptly. Karthi’s role seems to an extension of the one that he played in 'Paruthiveeran'. But a touch of sophistication is evident in the way his character unfolds. He instant reactions and quick response on screen is quite amazing.

He was more brawny in 'Paruthiveeran', while he is a combination of both brain and blows here. Working with two directors who are taskmasters but with different styles seems to have had a positive effect on Karthi. From Ameer to Selvaraghavan, Karthi has just got the right thing to be poured out when it comes to standing before the camera.

Reema Sen, until a glamdoll, is a revelation here. Tamil filmdom had been cruel to many actresses, whose life spans are already short. One among them is Reema Sen. Such a skilled actress pouring out various emotions seems to have been under utilized until now. Selvah manages to give her the right opportunity, which she has grabbed with both hands gleefully. As Anitha Pandian, her portrayal appeals instantly. Pouring out right emotions when needed is no easy task for a taskmaster like Selvaraghavan. But Reema is right there delivering what his master wants from her on screen.

Andrea as archaeologist excels. From a loving wife in 'Pachaikili Muthucharam' to a dynamic archeologist in 'Aayirathil Oruvan', she has come really good and quick. Her body language, mannerisms have been perfectly shaped by the filmmaker. But walking with all applause is Parthiban. Selvaraghavan conceiving such a role for Parthiban, makes one wonder the vision of the director. Parthiban seems to have been tailor-made for the role. Lending solidity to the script is his character. He is more like cricketer Rahul Dravid lending a backbone to the Indian middle order batting, in the movie.

The real ‘Ayirathil Oruvan’ is cinematographer Ramji. The tall-beard Ramji, who weaved a magic working with director Ameer before, has rendered a scintillating stuff here. His lens speaks poetry at one place and spits venom in other places.

Art direction is what lends credibility to movies on such themes. It is evident that Selvah and his team seem to have done intense research before venturing for the project. There is antiquity and authenticity in huge statues that we see in the film.

G V Prakash’s songs leave a right impact. They fit the scenes. The background score by young Prakash, though did not match the standard of Yuvanshankar Raja ( a routine in Selvah’s films), is ok.

Stunt master Rambo Rajkumar, who passed away recently, has given one of his best before his demise. His choreography of chase and stunt involving several hundred junior artistes, is a rich treat for audience especially for Tamil audience they are something new. Also the choreography by Kalyan and Shivashankar sits apt in the film.

But the eyesore is the computer graphics. It challenges all laws of physics, especially in that 'Gladiator' kind of stunt scene. In some places, one could easily spot that CG is at work, thereby taking away the credibility.

Length is another problem as the movie beats around the bush and needs an urgent trimming.

Producer Raveendran deserves special appreciation. His patience and support to come with a quality entertainer deserves special mention. A big-budgeted film with no commercial compromise reflects the right involvement of the producer.

Selvah has made us wait for a long time. Though the wait is not that fruitful, it is once a blue moon do we get such movies.

Aayirathil Oruvan - Sweet and sour

Vinnaithandi Varuvaya






Movie Review

‘Vinnaithandi Varuvaya’, (VTV) and you know what its like to cross the sky and get into another dimension called love. ‘Vinnaithandi Varuvaya’ is a popular lyric from the ‘Vennilave Vennilave’ song from ‘Minsara Kanavu’ directed by Rajeev Menon and all of you know that. So director Goutham Vasudev Menon has rightly acknowledged Rajeev Menon in the first card of the Titles. How humble!

Right from the time, the word ‘action’ was told, the film has been creating the ripples of expectation among director Goutham’s fans. He has surely tried his maximum to live up to the expectations. Captain Goutham and his team- comprising of editor Antony, art director Rajeevan, director of photography Manoj Paramahamsa and music by A R Rahman, just look at that combination, have always given us that feeling of modern cinema.

Well technically, the movie is made with high values- Exceptional music, background score, re-recording, classy camera work, foreign locations, etc. All the technicians involved must receive that imperative appreciation for they have done their work with much finesse.

The first in the list of technicians who have to be appreciated would be, undoubtedly, A R Rahman. Man! Isn’t he a creative genius! His 1st movie after the Oscar phenomenon. His music is one of the main reasons to the much acclaimed hype. The re-recording and the background score are really amazing. If you’ve listened to his songs in your personal stereo, then its only half of the magic you have experienced.

The picturisation of the songs is simply remarkable and they complete the magic. God knows how Goutham gets his ideas and the eye of Manoj Paramahamsa who’s done ‘Eeram’ before, not just his eye that thought of those exotic locations but his ‘lens eye’ as well that caught all those beautiful locales. Watch those videos even with half opened eyes and you’ll realize he hasn’t used a camera but a paint brush with the palette of colours from Mother Nature. The colour tones in the movie have been brought out quite amazingly. The songs especially, ‘Hosana’ and ‘Omanna Penne’ shot at Malta, are worth the watch at the cinemas. Songs get major attention in the movie and the other technician we are going to talk about is Rajeevan and his art-work in the sets of a few songs is fascinating. The D.O.P (director of photography) Manoj has used minimal artificial lighting in the movie, showing his signature style.

We’ll come back to the people behind the camera a little later. Now is the time for the people in front of the camera. Trisha and Silambarasan as the lead pair, and quite a few veterans in the movie like Kitty as Silambarasan’s father and Bob Antony as Trisha’s father. All artists have done well especially Ganesh, also one of the producers, who plays Silambarasan’s friend, has acted well, and his dialogue delivery must be appreciated. Lets talk about- Silambarasan! We’ve seen him as a college student, as a mass character and we’ve seen him dance in the middle of the road, typical Chennai style, but can you imagine Silambarasan in formals, as a simple, regular guy-next door, decent and at his best behaviour? Well, he has proved he is not just the normal run-off-the-mill commercial hero but an actor who will mould himself into any character that a story demands. He’s come out of that commercial image with VTV. All were apprehensive about the fact that Silambarasan working with a classy director like Goutham. But the director has been persistent about Silambarasan and he hasn’t let the director down. Silambarasan has been in front of the camera since he was a kid and such a role as ‘Karthik’ in this movie is really not demanding or impossible to him. He hasn’t acted in this movie, but has been himself. His dialogue delivery appeared to be simple, just like how he would talk to anyone in his real life. He is an ambitious and aspiring film maker in the movie and in real life, he really is.

Opposite Silambarasan is pretty lass Trisha. Trisha as Jessie has portrayed her character brilliantly, she hasn’t over acted or under acted, and she’s done it perfectly. Director of Photography, Manoj has prettified Trisha, and she looks prettier than her previous appearances. Saree clad in most of the movie, Trisha has pulled off a terrific performance. Nalini Sriram’s costumes might start a cult with the ladies from now on.

Now we’re moving in to the ‘story, screenplay and dialogues’, by Goutham. Don’t expect us to be spoilsport and reveal the storyline and the cute screenplay of the movie. The first half till the interval will grab your attention as it has been nicely written and well taken. Some cute scenes between Silambarasan and Trisha look really candid and the camera man has managed to capture that cheeky chemistry between the two. According to the film promos, theatrical trailers, etc ‘VTV’ is a love story ‘with a difference’. There wasn’t anything particularly different to talk about, except for Simbu being younger to Trisha by one year, and the screenplay that won’t tell you till the end if they’ve fall in love and live happily ever after?

Silambarasan wooing Trisha, their second pairing after ‘Alai’, is not at all impractical and you can relate their characters to real life. Their chemistry is enticing and they actually appear a cute pair. Silambarasan’s attitude in the movie is straight forward while Trisha is homely and conservative. The one thing you can’t relate to life or even agree is the hero meeting the heroine at her house, at his will without anyone noticing. Cinema has grown of age, or have people!?

The screenplay in the first half is slow and cute but the screenplay in the second half is even slower.

A faster screenplay might spoil the feel of a romantic movie. Back to technicians, Editor Antony has done a decent job but could have advised his Captain to chop off a few reels. Some of the audience thought the movie got over and they got off their seats when a song was being played! but the movie continued for 10 more minutes after that.

Silambarasan, we all know fights well and dances amazingly. There is just one stunt sequence in the movie and that’s designed by Shiva who’s handled the fight scenes very well and Silambarasan is the demi-god we know, sustains not a single scratch on him. Silambarasan’s dance is admirable. Keeping in mind that most of the songs are not dance numbers, you’ll still see him sway to those tunes convincingly.

Dialogues in the movie and especially Silambarasan’s dialogue delivery is worth mentioning. The dialogues make you giggle at times, and sometimes they make you feel- how one can be so romantic.

Director Goutham has tried something ‘different’ but the audience is perplexed at the end. You wouldn’t know how to react after the climax. Weird! If you’ve been following all his movies and know his style of film making, then you would appreciate his work. There were rumours about two climaxes to the movie. The version the audience saw on the first day is not really lively.

Finally a disclaimer: If and only if, you have all the time in the world, and you like the slow romantic genre, you’ll enjoy this one.

VTV- a feel (long) 'good' film!